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Alyscia Cunningham

Artist of Color; Author/Writer; Director; Filmmaker; Photographer; Tactile

Personally, Alyscia Cunningham is a granddaughter, daughter, wife, mother of 3, sister, aunty, friend, artist, advocate, writer, Pisces, dreamer, truth seeker, positive thinker, adventurer, traveler, hiker, teacher, student...and her journey continues. Professionally, Alyscia is an entrepreneur, author, speaker, filmmaker, and photographer who has contributed to National Geographic, Discovery Channel, America Online and the Smithsonian Institution. Alyscia is also the Founder of Her House Media and the CEO of a Maryland Home Improvement company, Uprising Builders, LLC. Her work focuses on changing the dialogue around beauty standards for women. After the success of Alyscia's first book, Feminine Transitions: A Photographic Celebration of Natural Beauty she became one of the FrontLine Voices for Stop the Beauty Madness, a campaign focused on changing the dynamics of beauty globally. She continues her contribution to social change with her documentary film and photography book, I Am More Than My Hair. Alyscia also co-organized Reel Moms, a supportive community for working Moms and Caregivers in the film and TV industry, in partnership with Women in Film and Video. Her goal is to continue producing documentary films and photo books. With the completion and direction provided through the Horror/Psychological Thriller workshop with Sundance Institute, she plans to also write and direct Horror films.

Tim Davis

Artist of Color; Constructions/Collage; Mixed Media Artist; Painter; Photographer

Tim Davis was born in Chicago Illinois and is recognized as an artist, curator and educator. He is a mixed media painter working primarily with narratives on social justice, activism, identity and the black experience. His work has been exhibited throughout the United States and abroad including; Hampton University Museum, Katzen Center at American University Museum: New Orleans African American Museum, ARWI International Art Fair, Spectrum at Art Basel, (Miami). Currently, his work is on loan at The United Sates Embassy in Abuja, Nigeria. Davis’ work is included in many private and corporate collections including Freddie Mac Corporation, DC Commission on the Arts and Humanities, The David Driskell Center, University of Maryland, Stellar Communications, Martha’s Table Head Quarters, Community of Hope-Marie Reed Health Center, Washington DC, University of Maryland University Global Campus, University of Illinois and The Diane Whitfield- Locke collection. Davis received his Masters of Art degree from the University of Illinois, where he studied art education and fine art. A National Endowment for the Arts fellow, Davis has worked extensively with public school education, DC Arts works and The DC Commission on the arts and Humanities. He is also founder of International Visions Gallery and Consultancy, where he encourages cross-cultural exchange with diverse collections of artists from the Washington area and under-represented parts of the world. As an artist, educator and curator, Davis’ believes art making can be used to make statements, engage, inspire, activate for growth for history and identity.

Alix Lambert

Author/Writer; Director; Filmmaker; Illustrator; Media/Visual Communications; Mixed Media Artist; Multiple Art Forms; Performance Art; Photographer; Playwright; Printmaker; Producer; Sculpture; Storyteller; Teacher/Instructor

Alix Lambert's feature length documentary The Mark of Cain was nominated for an Independent Spirit Award, received an honorable mention from the French Association of Journalism, and aired on Nightline. She went on to produce additional segments of Nightline as well as 7 segments for the PBS series LIFE 360. She has directed and produced two other feature length documentaries; Bayou Blue (made in collaboration with David McMahon) and Mentor. She is currently directing the feature length documentary, Goodbye, Fat Larry. She has directed numerous shorts and music videos including You As You Were for the band Shearwater (Sub Pop) and Tiffany (POV). Lambert has written for a number of magazines including Stop Smiling, ArtForum, The LA Weekly, and Filmmaker Magazine, to name a few. She wrote Episode 6, season 3 of Deadwood: “A Rich Find” (for which she was nominated for a WGA award) and was a staff writer and associate producer on John From Cinicinnati. She was a writer on the video game Syndicate. As an artist Lambert has exhibited her work to international critical acclaim, showing in The Venice Biennale, The Museum of Modern Art, The Georges Pompidou Center, and the Kwangju Biennnale, to name a few. She is the author of five books: Mastering The Melon, The Silencing, Russian Prison Tattoos, Crime, and Courtroom. For theater, she has written and directed Crime, USA, which has been staged at Joe’s Pub in NYC, and the Cairns Festival in Australia and Crime, USA, Hartford, which was staged at Real Art Ways. Lambert co-founded and is co-artistic director of The Brooklyn International Theater Company (with Nelson George and Danny Simmons). She has conceived of and directed two original series for MOCAtv; Crime: The Animated Series and Ambiance Man. She recently produced segments for This American Life and Theory of Everything. Lambert has received grants from the NEA, NYFA and The Roberts Foundation and residencies and/or fellowships from: The MacDowell Colony, Headlands, The Studios of Key West, The McColl Center, The MIT Media Lab in Cambridge. She was The Booth Tarkington Writer in Residence at Butler University for the 2014-15 school year. She is currently developing her original animated series Prison Zoo. Her pilot episode of Obits premiered at Tribeca, 2019. A theaterical version of Courtroom will be staged at Joe’s Pub January 2022.

Fleur Louise

Photographer

I use photography to capture joy, love and connection. I also like to capture realness, which is not always picture-perfect. My project, Positive Light, offers family portrait sessions to capture the loving moments of the individuals and families served by non-profit organizations in the Greater Washington DC region. Using lifestyle and documentary photography, Positive Light helps non-profits move away from pity-based storytelling, toward respectful human-connection story-telling. Positive Light aims to change community perceptions about the underserved, and helps to highlight the important work of human service non-profit organizations.

Adrienne Moumin

Constructions/Collage; Mixed Media Artist; Multiple Art Forms; Photographer

I am a visual artist based in Wheaton, MD, and part-time in NYC. I work in hand-printed B&W photography and photo-based collage. I am best known for my "Architextures" handmade gelatin silver photo collage series, ongoing since 2000. These 2-D and 3-D geometric abstract B&W photo collages are inspired by the architecture and urban landscapes of Manhattan. I also use images of other subjects which evoke strong feelings of a time or place. I have exhibited my work for over twenty years in solo and group shows in New York, DC, and nationwide, and my work is in numerous public and private collections. I was awarded a 2021 Artists and Scholars Grant by the Arts & Humanities Council of Montgomery County (MD), for the creation of several large-scale Architextures photo collages. I was also awarded a 2021 Maryland State Arts Council Regional Independent Artist Award. I served as an Artist Design Consultant for the recently-installed public art installation in downtown Wheaton, MD. I recently had a 3-month solo exhibit, Analog, at Portico Gallery in Brentwood, MD, which was reviewed favorably by Mark Jenkins of the Washington Post.

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