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  • STORIES
    • Features
    • News + Trending
    • Profiles
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    • Online/Virtual
    • By Region
      • Bethesda
      • East County
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  • Leila Cabib
    Leila Cabib
    Illustrator; Teacher/Instructor; cartoonist & animator
    Leila Cabib is a professional cartoonist, illustrator, and animator.  Her clients include The Wall Street Journal, The Washington Post, Gannett newspapers, Time-Life Books, and many other publications and organizations.  She has written and illustrated two nationally syndicated comic strips.   She has been teaching cartooning in after-school programs for 29 years and cartooning and animation as an artist in residence in elementary, middle, and high schools (grades 2-12) for 20 years.  She also teaches children and senior citizens in partnership with Montgomery County Public Libraries.  Her students’ animated videos have been honored with several national awards and shown at international film festivals. A native of Buenos Aires, Argentina, Leila speaks fluent Spanish and has taught her classes in both English and Spanish.  In addition to cartooning, Leila enjoys sketching historic residential architecture on site.    
  • Alix Lambert
    Alix Lambert
    Author/Writer; Director; Filmmaker; Illustrator; Media/Visual Communications; Mixed Media Artist; Multiple Art Forms; Performance Art; Photographer; Playwright; Printmaker; Producer; Sculpture; Storyteller; Teacher/Instructor
    Alix Lambert's feature length documentary The Mark of Cain was nominated for an Independent Spirit Award, received an honorable mention from the French Association of Journalism, and aired on Nightline. She went on to produce additional segments of Nightline as well as 7 segments for the PBS series LIFE 360. She has directed and produced two other feature length documentaries; Bayou Blue (made in collaboration with David McMahon) and Mentor. She is currently directing the feature length documentary, Goodbye, Fat Larry. She has directed numerous shorts and music videos including You As You Were for the band Shearwater (Sub Pop) and Tiffany (POV). Lambert has written for a number of magazines including Stop Smiling, ArtForum, The LA Weekly, and Filmmaker Magazine, to name a few. She wrote Episode 6, season 3 of Deadwood: “A Rich Find” (for which she was nominated for a WGA award) and was a staff writer and associate producer on John From Cinicinnati. She was a writer on the video game Syndicate. As an artist Lambert has exhibited her work to international critical acclaim, showing in The Venice Biennale, The Museum of Modern Art, The Georges Pompidou Center, and the Kwangju Biennnale, to name a few. She is the author of five books: Mastering The Melon, The Silencing, Russian Prison Tattoos,  Crime, and Courtroom. For theater, she has written and directed Crime, USA, which has been staged at Joe’s Pub in NYC, and the Cairns Festival in Australia and Crime, USA, Hartford, which was staged at Real Art Ways.  Lambert co-founded and is co-artistic director of The Brooklyn International Theater Company (with Nelson George and Danny Simmons). She has conceived of and directed two original series for MOCAtv; Crime: The Animated Series and Ambiance Man. She recently produced segments for This American Life and Theory of Everything. Lambert has received grants from the NEA, NYFA and The Roberts Foundation and residencies and/or fellowships from: The MacDowell Colony, Headlands, The Studios of Key West, The McColl Center, The MIT Media Lab in Cambridge. She was The Booth Tarkington Writer in Residence at Butler University for the 2014-15 school year. She is currently developing her original animated series Prison Zoo.  Her pilot episode of Obits premiered at Tribeca, 2019. A theaterical version of Courtroom will be staged at Joe’s Pub January 2022.
  • Martina Sestakova
    Martina Sestakova
    Artisan; Mixed Media Artist; Painter; Teacher/Instructor
    Martina Sestakova is the owner at RADOST (est. 2016). The name of her company means ‘joy’ in Czech. Martina engages in three areas of creative exploration: textile design, painting, and art education. As a textile designer, Martina invokes short stories from life experiences, which then inspire her paintings turned into textiles. She gives specific names to the fabrics as they are visual manifestations of actual moments. Her scarves have been featured on Voice of America, at the Smithsonian American Art Museum (DC), the American Horticultural Society (VA), the National Czech and Slovak Museum and Library (IO), and an array of shops across the United States. Martina’s design practice intertwines with her acrylic/watercolor paintings on yupo. In the series, “Visual Insights into Life’s Beauty,” she communicates words and their associated emotions through colors, shapes, and textures. Her artworks have been exhibited at venues, such as the Adah Rose Gallery (MD), Latela Curatorial (DC), and Emerge Gallery (NY). As an art educator, Martina connects with her students through exploratory workshops. Her healthcare background allows her to share her elder care expertise in art classes in independent and assisted living communities. Martina brings creative projects to communities with limited access to the arts, such as individuals in correctional institutions and non-English speaking communities. She offers online sessions through her small business.
  • Erwin Timmers
    Erwin Timmers
    Glass Artist; Mixed Media Artist; Sculpture; Teacher/Instructor
    Erwin Timmers is Co-founder and Director of the Washington Glass School and one of the DC area’s leading ‘eco-artists’.  Recycling, waste and how they relate to society are recurring themes in his work.  Erwin’s main medium is one of the least recycled materials; float glass or window glass, and he has had to develop new techniques to exploit the properties of this material. His approach to art is multi-faceted, incorporating metalwork, innovative lighting and glass design.  His sculptural artwork has been on display in an increasing number of local, regional and national galleries.  He has received multiple public art commissions and is also featured in numerous private collections. He has been featured in numerous books, notably “100 Mid-Atlantic Artists” by Ashley Rooney, “Cast” by Jen Townsend and Renée Zettle-Sterling.  Montgomery County honored Erwin Timmers as the county’s “Outstanding Artist” in 2018.
  • Carol Vogel
    Carol Vogel
    Illustrator; Multiple Art Forms; Painter; Teacher/Instructor
    Award winning, classical still life and pet and people portrait painter, I am known for myrealistic and expressive paintings. Paintings that dance with energy, color, and form with a remembrance for the classical style of the old masters best describe my interest and painting style.  I especially enjoy painting portraits of people and pets and bringing their spirit to life on canvas.  A love of collecting vintage glass and ceramics inspire my still life paintings along with a passion for travel to international locations.  My still life paintings reflect a mood and feeling often with lush pattern backgrounds, vivid color, and unusual combination of supports and collectible items. Humanitarianism combined with a love of people inspire my pastel, oil, and pencil portraits. There is a depth of beauty in every face that reflects an inner soul. Capturing the inner soul is an inborn ability for me that is reflected in my representational and expressive portrait paintings. EDUCATION American University Art League School of Alexandria, Va. Schuler School of Fine Art
  • Marcie Wolf-Hubbard
    Marcie Wolf-Hubbard
    Mixed Media Artist; Painter; Teacher/Instructor
    Marcie Wolf-Hubbard received her B.A. from the University of Maryland in Studio Art and studied Fine Art & Illustration at the Maryland Institute, College of Art. Her paintings in encaustic (wax) and mixed media have been exhibited widely on the East Coast. Marcie is an instructor at Glen Echo Park, Yellow Barn Studios, The Smithsonian, and has transitioned to teaching virtually from her studio. 'Students come together to focus on art in what feels like an art community--- bringing people out of isolation and getting together to make art. Working with my students has also fueled me in this time of sadness and uncertainty. The attention to art has lifted anxiety and inspired us all to continue creating.” I have always loved to draw- maybe as a connection to the world, my response, or appreciation. My intimate, quiet observing connects me with my subjects. What captivates me about encaustic painting is the surface. The painting is a play of light, with a surface you want to touch. Added texture, luminosity, and dimension all help in my construction or building of my artwork. I add, and take away, sometimes making the painting more of a sculptural form. The carving away is another form of drawing.
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