This year, they gather in New York City at youngest daughter Brigid’s Chinatown apartment - a basement duplex that would feel like a bargain if not for the lack of sunlight and the sudden, unexplained, loud noises coming from upstairs. Normally they celebrate in Scranton, but the break with tradition is just one of many disruptions with which they’re forced to contend. Stephen Karam’s brilliant play delivers both the warm comfort of family and a thoroughly modern anxiety about what’s on the other side of the wall.