UMXGGFCQW4I6TI7XPC3VEWUNL4

The sculptor Ursula von Rydingsvard, center, surrounded by studio assistants in front of “Bowl With Folds” (1998-99) in Detroit in 2017. (Kevin Silary/Galerie Lelong & Co.)

Sculpture as personal as it gets

Originally Published in Washington Post on 3/30/2019 Written By: Sebastian Smee Ursula von Rydingsvard is the daughter of a woodcutter from a long line of peasant farmers. And if that sounds like the beginning of a Brothers…

Originally Published in Washington Post on 3/30/2019
Written By: Sebastian Smee

Ursula von Rydingsvard is the daughter of a woodcutter from a long line of peasant farmers. And if that sounds like the beginning of a Brothers Grimm fairy tale, it isn’t.

Von Rydingsvard, 76, sculpts in wood, creating objects that look unlike anything else in the medium. Her work — both violent and yielding, fiercely willed and oddly relaxed — is the subject of a commanding solo show, on view through July 28 at the National Museum of Women in the Arts.

Von Rydingsvard was born in Deensen, Germany, in 1942. Her mother was Polish. Her Ukrainian father …

Read the full story at WashingtonPost.com HERE