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  • Azriel Awret
    Azriel Awret
    Sculpture
    Azriel Awret was born in Lodz, Poland, and moved to Belgium where he lived in Brussels. He married an Aryan woman, Anna Louisa Bonhiere, which saved him from deportation. But in January 1943 he was interned in Malines camp. Awret was an engineer, so he was given employment as an electrician. While in Malines he met Irène Spicker, who was working in the Mahlerstube (art workshop). They married after the war and moved to Israel, settling in Safed and continuing their artistic activity.
  • Marcia Billig
    Marcia Billig
    Sculpture
    Art has always been a major pursuit for me.  I try to express a sense of joy and movement in my figurative works. I have been creating public and private sculptures for many years.  All of my commissions, both public and private have involved the input of the people who would be enjoying the space or the facility.  In each case, whether it was a library, school court yard, public park, subway station, or an arts center, I first met with a committee representing the local arts community, the business representatives directly involved with the project, and friends from the “neighborhood.” I received a Master of Fine Arts Degree in Sculpture from American University, a Master in Education with a major in art from George Washington University, and a Bachelor of Arts Degree in Education from Emory University in Atlanta, Georgia. Five of my sculptures installed in the Washington area are pictured and described in the revised 2008 edition, “Washington Sculpture, A Cultural History of Outdoor Sculpture in the Nation’s Capital.” by James Goode, historian, and former staff member of the Smithsonian Institution.  My sculptures included are: “BALANCE,”  “GRANDDAUGHTERS,”  “LIFT OFF,’’ “THE JUGGLER,’’ and “THE COMMUTER.’’
  • Leila Cabib
    Leila Cabib
    Illustrator; Teacher/Instructor; cartoonist & animator
    Leila Cabib is a professional cartoonist, illustrator, and animator.  Her clients include The Wall Street Journal, The Washington Post, Gannett newspapers, Time-Life Books, and many other publications and organizations.  She has written and illustrated two nationally syndicated comic strips.   She has been teaching cartooning in after-school programs for 29 years and cartooning and animation as an artist in residence in elementary, middle, and high schools (grades 2-12) for 20 years.  She also teaches children and senior citizens in partnership with Montgomery County Public Libraries.  Her students’ animated videos have been honored with several national awards and shown at international film festivals. A native of Buenos Aires, Argentina, Leila speaks fluent Spanish and has taught her classes in both English and Spanish.  In addition to cartooning, Leila enjoys sketching historic residential architecture on site.    
  • Sara Caporaletti
    Sara Caporaletti
    Mixed Media Artist; Multiple Art Forms; Sculpture
    Sara Caporaletti is a visual artist and arts professional living and working in Maryland. Caporaletti received her Bachelor of Art degree from McDaniel College in Westminster, MD and Master of Fine Art degree from American University in Washington DC. She works for the Sandy Spring Museum and for M-NCPPC, Department of Parks and Recreation, Prince George's County, Arts and Cultural Heritage Division in arts administration roles. Her art work is created in a variety of media and focuses on concepts related to identity and faith. Caporaletti has displayed her artwork in a variety of group exhibitions around the DMV area.
  • Alyscia Cunningham
    Alyscia Cunningham
    Artist of Color; Author/Writer; Director; Filmmaker; Photographer; Tactile
    Personally, Alyscia Cunningham is a granddaughter, daughter, wife, mother of 3, sister, aunty, friend, artist, advocate, writer, Pisces, dreamer, truth seeker, positive thinker, adventurer, traveler, hiker, teacher, student...and her journey continues. Professionally, Alyscia is an entrepreneur, author, speaker, filmmaker, and photographer who has contributed to National Geographic, Discovery Channel, America Online and the Smithsonian Institution. Alyscia is also the Founder of Her House Media and the CEO of a Maryland Home Improvement company, Uprising Builders, LLC. ​ Her work focuses on changing the dialogue around beauty standards for women. After the success of Alyscia's first book, Feminine Transitions: A Photographic Celebration of Natural Beauty she became one of the FrontLine Voices for Stop the Beauty Madness, a campaign focused on changing the dynamics of beauty globally. She continues her contribution to social change with her documentary film and photography book, I Am More Than My Hair. ​ Alyscia also co-organized Reel Moms, a supportive community for working Moms and Caregivers in the film and TV industry, in partnership with Women in Film and Video. Her goal is to continue producing documentary films and photo books. With the completion and direction provided through the Horror/Psychological Thriller workshop with Sundance Institute, she plans to also write and direct Horror films.
  • Tim Davis
    Tim Davis
    Artist of Color; Constructions/Collage; Mixed Media Artist; Painter; Photographer
    Tim Davis was born in Chicago Illinois and is recognized as an artist, curator and educator.  He is a mixed media painter working primarily with narratives on social justice, activism, identity and the black experience. His work has been exhibited throughout the United States and abroad including; Hampton University Museum, Katzen Center at American University Museum: New Orleans African American Museum, ARWI International Art Fair, Spectrum at Art Basel, (Miami). Currently, his work is on loan at The United Sates Embassy in Abuja, Nigeria. Davis’ work is included in many private and corporate collections including Freddie Mac Corporation, DC Commission on the Arts and Humanities, The David Driskell Center, University of Maryland, Stellar Communications, Martha’s Table Head Quarters, Community of Hope-Marie Reed Health Center, Washington DC, University of Maryland University Global Campus, University of Illinois and The Diane Whitfield- Locke collection. Davis received his Masters of Art degree from the University of Illinois, where he studied art education and fine art. A National Endowment for the Arts fellow, Davis has worked extensively with public school education, DC Arts works and The DC Commission on the arts and Humanities.  He is also founder of International Visions Gallery and Consultancy, where he encourages cross-cultural exchange with diverse collections of artists from the Washington area and under-represented parts of the world. As an artist, educator and curator, Davis’ believes art making can be used to make statements, engage, inspire, activate for growth for history and identity.    
  • Felisa Federman
    Felisa Federman
    Mixed Media Artist
    My goal is to create a diffuse atmospheric space where people can be drawn in, and find the possibility to see or not to see...remote memories, object with lost meanings, archeological discoveries, deep questions, symbols which can be traced from the past, icons from the present and the future, or fragments of coded texts. These images and objects arise from the depth of my mind, where history, legend and fantasy are mixed. I invite the viewer to image what could be deciphered under the apparent scene. The compositions are planned like puzzles to attract the viewer’s attention make them think and provoke intrigue and getting them into a fragile world full of strong sensory atmosphere. Abstract art is something that few people can understand, so I use simple and familiar images to engage them.
  • Arlette Jassel
    Arlette Jassel
    Muralist; Painter; Sculpture; layered wood wall mounted
    Dance was my first love and discipline which I had to abandon when a hip joint disease stopped me dancing. I transferred my passion for movement and expression to painting. Color and music energize my work. I create the human figure that weaves in and out of abstracted shapes to show energy in a two dimensional way. I studied art at Hunter College in NYC earning a BFA in painting. At the University of Chicago I received an MAT in art teaching. Many more courses and schools have added to my artistic vocabulary. Political art in particular and narrative art generally have been my focus. Flowers always pop up within my narrative window. Those essential issues of our time that include feminism in the 1970's and 80's,  homelessness in the 1990's, wars and blithe disregard for human life in 2000's, the demeaning of people with disabilities, the marginalization of bodies not like our own, and the horrors of our democracy under savage attack through the willingness of the social media platforms, all surfaced in my work. Climate change is chronicled as well. I have a positive spirit, so recently, even after exposing the inequities of the pandemic sufferers, I have painted a series of Dances Through the Flowers. I celebrate a new spring of the human spirit.
  • Alix Lambert
    Alix Lambert
    Author/Writer; Director; Filmmaker; Illustrator; Media/Visual Communications; Mixed Media Artist; Multiple Art Forms; Performance Art; Photographer; Playwright; Printmaker; Producer; Sculpture; Storyteller; Teacher/Instructor
    Alix Lambert's feature length documentary The Mark of Cain was nominated for an Independent Spirit Award, received an honorable mention from the French Association of Journalism, and aired on Nightline. She went on to produce additional segments of Nightline as well as 7 segments for the PBS series LIFE 360. She has directed and produced two other feature length documentaries; Bayou Blue (made in collaboration with David McMahon) and Mentor. She is currently directing the feature length documentary, Goodbye, Fat Larry. She has directed numerous shorts and music videos including You As You Were for the band Shearwater (Sub Pop) and Tiffany (POV). Lambert has written for a number of magazines including Stop Smiling, ArtForum, The LA Weekly, and Filmmaker Magazine, to name a few. She wrote Episode 6, season 3 of Deadwood: “A Rich Find” (for which she was nominated for a WGA award) and was a staff writer and associate producer on John From Cinicinnati. She was a writer on the video game Syndicate. As an artist Lambert has exhibited her work to international critical acclaim, showing in The Venice Biennale, The Museum of Modern Art, The Georges Pompidou Center, and the Kwangju Biennnale, to name a few. She is the author of five books: Mastering The Melon, The Silencing, Russian Prison Tattoos,  Crime, and Courtroom. For theater, she has written and directed Crime, USA, which has been staged at Joe’s Pub in NYC, and the Cairns Festival in Australia and Crime, USA, Hartford, which was staged at Real Art Ways.  Lambert co-founded and is co-artistic director of The Brooklyn International Theater Company (with Nelson George and Danny Simmons). She has conceived of and directed two original series for MOCAtv; Crime: The Animated Series and Ambiance Man. She recently produced segments for This American Life and Theory of Everything. Lambert has received grants from the NEA, NYFA and The Roberts Foundation and residencies and/or fellowships from: The MacDowell Colony, Headlands, The Studios of Key West, The McColl Center, The MIT Media Lab in Cambridge. She was The Booth Tarkington Writer in Residence at Butler University for the 2014-15 school year. She is currently developing her original animated series Prison Zoo.  Her pilot episode of Obits premiered at Tribeca, 2019. A theaterical version of Courtroom will be staged at Joe’s Pub January 2022.
  • Fleur Louise
    Fleur Louise
    Photographer
    I use photography to capture joy, love and connection. I also like to capture realness, which is not always picture-perfect. My project, Positive Light, offers family portrait sessions to capture the loving moments of the individuals and families served by non-profit organizations in the Greater Washington DC region. Using lifestyle and documentary photography, Positive Light helps non-profits move away from pity-based storytelling, toward respectful human-connection story-telling. Positive Light aims to change community perceptions about the underserved, and helps to highlight the important work of human service non-profit organizations.
  • john macarthur
    john macarthur
    Artist of Color; Multiple Art Forms; Painter; Plein Air Artist
    Do you remember the very first time you fell in love?   That feeling that you just can't put into words?   I have been painting all my life.   I drift into and out of impressionism and post-impressionism.   I do landscapes, seascapes and cityscapes.   I use color to create emotion and feeling.   My goal is always to leave the viewer with that feeling that you just can't put into words.
  • Greg Mort
    Greg Mort
    Muralist; Painter; Sculpture
    Artist Statement - Greg Mort The Arts have always had the ability to transcend language, culture, and the centuries. Since the dawn of our collective human memory, art in its myriad forms has expressed our hopes, our fears, and our loves while also serving as an interpretive record of the world around us. Then as now, the voice of Art remains a powerful communicative tool. In this, the new millennium, the realization that we indeed live on “One World” carries with it responsibilities never dreamt of by our distant ancestors as they expressed their visions on cave walls and with carved fertility icons. We now recognize the fragility of our planetary home and the profound role each of us plays in the drama of life on Earth. Now more than ever the “Artist” will play an ever-increasing part in a cast that must include…all of humanity. The visual arts are in fact a calling out to those who speak the language that is universally understood. One that has the potential to raise awareness, inspire and celebrate our role as “Stewards” of our tiny oasis in space. At this point in history no challenge is more important or more immediate in nature. Our very survival depends on it. As an artist my goal is to use my creative tools to bring the notion of “Stewardship of our Earth” to the forefront of our conversations and consciousness.
  • Adrienne Moumin
    Adrienne Moumin
    Constructions/Collage; Mixed Media Artist; Multiple Art Forms; Photographer
    I am a visual artist based in Wheaton, MD, and part-time in NYC. I work in hand-printed B&W photography and photo-based collage. I am best known for my "Architextures" handmade gelatin silver photo collage series, ongoing since 2000. These 2-D and 3-D geometric abstract B&W photo collages are inspired by the architecture and urban landscapes of Manhattan. I also use images of other subjects which evoke strong feelings of a time or place. I have exhibited my work for over twenty years in solo and group shows in New York, DC, and nationwide, and my work is in numerous public and private collections. I was awarded a 2021 Artists and Scholars Grant by the Arts & Humanities Council of Montgomery County (MD), for the creation of several large-scale Architextures photo collages. I was also awarded a 2021 Maryland State Arts Council Regional Independent Artist Award. I served as an Artist Design Consultant for the recently-installed public art installation in downtown Wheaton, MD. I recently had a 3-month solo exhibit, Analog, at Portico Gallery in Brentwood, MD, which was reviewed favorably by Mark Jenkins of the Washington Post.    
  • Sandra Pérez-Ramos
    Sandra Pérez-Ramos
    Mixed Media Artist; Muralist; Painter; Sculpture
    Sandra Pérez-Ramos is a Puerto Rican artist working in the DMV area. She invents whimsical narratives, exploring fantasy or mystical and natural connections. She's inspired by mythology, Design from the 1950-70's, traditional arts and textiles. Her public art is uplifting, encourages healing and celebrates diversity. Art Critic Lennox Campello described her paintings in an article for the Alexandria Old Town Crier: “Pérez-Ramos channels her Caribbean upbringing in her accomplished works. Her artistic pedigree is evident in her gifted use of color and form to deliver highly stylized imagery, which over the years has grown into one of the hardest achievements in the art world: a completely distinct style and ritual.” The founder of The Art + Walkability Project in Silver Spring, MD, Margaret Rifkin, described her public artworks: “Her art is for everyone, one of the most democratic ways to bring beauty to the body politic, both the marginalized and mainstream”. In DC and MD, her works have been acquired for the permanent collection of the Children's National Hospital, The Marie Reed Project for Community Of Hope, Artists & Makers Studios 1 and by Mayor Tracey Furman for the Kensington Town Hall. Past roles: Membership Committee Chair for Montgomery Art Association, Leader of Wheaton Area Latinx Artists & Tableaux Vivant for Wheaton Arts Parade, Exhibition Installation Manager for WAP Gallery, Co-founder of The Latino Art League of Greater Washington DC.
  • LaShell Rivers
    LaShell Rivers
    Artist of Color; Author/Writer; Painter; Spoken Word Artist
    Drawing since childhood and writng since a teenager LaShell Rivers has faced many ups an downs. Her art and writing show these things for brain surgery and being diagnosed with a mental illness make her paint more. Wanting to go to art school for there is always more to learn. Please visit heyhomegirl.net to know more Helped organize, coordinate, hang exhibitions for "United Black Fund" in Washington DC at Health Fairs such as The Epilepsy Foundation, and “The One Love Arts Organization” representative for several Art exhibits. Helped co-ordinate and hang at exhibitions as a Volunteer.  Juror: Art Exhibitions Teacher: Drawing, taught for Abrakadoodle to children and the DPR Writer/Interviewer: For “The One Love Arts" Author of Poetic Epileptic and Hey Homegirl Advertising Hey Homegirl Attending Black Artist of DC meetings  
  • Martina Sestakova
    Martina Sestakova
    Artisan; Mixed Media Artist; Painter; Teacher/Instructor
    Martina Sestakova is the owner at RADOST (est. 2016). The name of her company means ‘joy’ in Czech. Martina engages in three areas of creative exploration: textile design, painting, and art education. As a textile designer, Martina invokes short stories from life experiences, which then inspire her paintings turned into textiles. She gives specific names to the fabrics as they are visual manifestations of actual moments. Her scarves have been featured on Voice of America, at the Smithsonian American Art Museum (DC), the American Horticultural Society (VA), the National Czech and Slovak Museum and Library (IO), and an array of shops across the United States. Martina’s design practice intertwines with her acrylic/watercolor paintings on yupo. In the series, “Visual Insights into Life’s Beauty,” she communicates words and their associated emotions through colors, shapes, and textures. Her artworks have been exhibited at venues, such as the Adah Rose Gallery (MD), Latela Curatorial (DC), and Emerge Gallery (NY). As an art educator, Martina connects with her students through exploratory workshops. Her healthcare background allows her to share her elder care expertise in art classes in independent and assisted living communities. Martina brings creative projects to communities with limited access to the arts, such as individuals in correctional institutions and non-English speaking communities. She offers online sessions through her small business.
  • Erwin Timmers
    Erwin Timmers
    Glass Artist; Mixed Media Artist; Sculpture; Teacher/Instructor
    Erwin Timmers is Co-founder and Director of the Washington Glass School and one of the DC area’s leading ‘eco-artists’.  Recycling, waste and how they relate to society are recurring themes in his work.  Erwin’s main medium is one of the least recycled materials; float glass or window glass, and he has had to develop new techniques to exploit the properties of this material. His approach to art is multi-faceted, incorporating metalwork, innovative lighting and glass design.  His sculptural artwork has been on display in an increasing number of local, regional and national galleries.  He has received multiple public art commissions and is also featured in numerous private collections. He has been featured in numerous books, notably “100 Mid-Atlantic Artists” by Ashley Rooney, “Cast” by Jen Townsend and Renée Zettle-Sterling.  Montgomery County honored Erwin Timmers as the county’s “Outstanding Artist” in 2018.
  • Carol Vogel
    Carol Vogel
    Illustrator; Multiple Art Forms; Painter; Teacher/Instructor
    Award winning, classical still life and pet and people portrait painter, I am known for myrealistic and expressive paintings. Paintings that dance with energy, color, and form with a remembrance for the classical style of the old masters best describe my interest and painting style.  I especially enjoy painting portraits of people and pets and bringing their spirit to life on canvas.  A love of collecting vintage glass and ceramics inspire my still life paintings along with a passion for travel to international locations.  My still life paintings reflect a mood and feeling often with lush pattern backgrounds, vivid color, and unusual combination of supports and collectible items. Humanitarianism combined with a love of people inspire my pastel, oil, and pencil portraits. There is a depth of beauty in every face that reflects an inner soul. Capturing the inner soul is an inborn ability for me that is reflected in my representational and expressive portrait paintings. EDUCATION American University Art League School of Alexandria, Va. Schuler School of Fine Art
  • Marcie Wolf-Hubbard
    Marcie Wolf-Hubbard
    Mixed Media Artist; Painter; Teacher/Instructor
    Marcie Wolf-Hubbard received her B.A. from the University of Maryland in Studio Art and studied Fine Art & Illustration at the Maryland Institute, College of Art. Her paintings in encaustic (wax) and mixed media have been exhibited widely on the East Coast. Marcie is an instructor at Glen Echo Park, Yellow Barn Studios, The Smithsonian, and has transitioned to teaching virtually from her studio. 'Students come together to focus on art in what feels like an art community--- bringing people out of isolation and getting together to make art. Working with my students has also fueled me in this time of sadness and uncertainty. The attention to art has lifted anxiety and inspired us all to continue creating.” I have always loved to draw- maybe as a connection to the world, my response, or appreciation. My intimate, quiet observing connects me with my subjects. What captivates me about encaustic painting is the surface. The painting is a play of light, with a surface you want to touch. Added texture, luminosity, and dimension all help in my construction or building of my artwork. I add, and take away, sometimes making the painting more of a sculptural form. The carving away is another form of drawing.
  • Curtis Woody
    Curtis Woody
    Mixed Media Artist; Mixed Media Collage Painter
    Artist Statement Curtis G. Woody Mixed Media Collage Painting I am a mixed media collage painter, drawing inspiration from historical connection points that join together individuals, families, generations and communities. I create highly textured and intricately detailed original art pieces that are intended to breathe new life into and enhance the unique characteristics of a common historical heritage. Life is a circle and I take pleasure in salvaging the old to create something new, asking the viewer to recognize the past while appreciating the here and now. My paintings are research-based collages and layers which are fabricated in a variety of ways. I highlight impactful images and also play close attention to minute details. Some paintings start with hand cut museum board blocks that are painted, embellished, scratched and merged together. I used an assortment of found objects, old books, aged photographs, buttons, letters, vintage newspapers and rusty metal combined with an assortment of artistic mediums. The meaning of the attached elements often becomes clearer to me as they are assembled. The result is a continual search for balance between spontaneity and historical relevance. My richly layered work invites viewers to step in closer, explore details, and create or reflect on their own stories of connection. Because of the multi-layering it is my expectation that the paintings become thoughtful, spiritual, interesting and sensitive creations.
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